Hakimeh Dabiran,
Volume 1, Issue 3 (Automen 2004, Winter 2005- 2004)
Abstract
In this article, first, the effect of poets on each other has been discussed. The author emphasizes formal and semantic resemblance in poet’s works as a means to determine whether resemblance and counter resemblance is a case of borrowing or not. Both these cases apply to Sheikh Farid-o-din Attar, the author of Mantegho-tair and Tazkerat-ol-olia and Sheikh Mohammad Shabestari, the author of Golshane Raz. On the one hand, Shabestari feels honor in studying some eloquent literary men such as Attar and, on the other hand, considers borrowing meanings as eavesdropping on angel and conceptual and semantic resemblance as Tavarod (a kind of plagiarism). Admiring Attar, Shabestari considers his own works as a small part of Attar’s Tableh ( Box). In this Study, all the similar matters used by the author of Golestan-e-Raz and Sheikh Mohammad Lahiji are gathered. Moreover, some Gnostic terms such as the unity of existence, manifestation, love, hate, and death are examined for the purpose of clarifying the two poets’ verses.
Abbas Bagjani, Hakimeh Dabiran,
Volume 5, Issue 14 (spring & summer- 2010)
Abstract
Religious poems form one of the rich domains of Persian literature heritage. Though these poems abound, researchers have paid less attention to them and many of them are unknown, confined to manuscripts. These poems deal with different themes most of which are concerned with one of the religious characters. These poems can be studied form historical and linguistic perspectives. The former studies named these poems "religious Epics". Classifying these works based on content, we have shown that only one group of them is put under such titles. Then we deal with bibliography of the works composed about Imam Ali (PBH). We have also provided brief information about each of them.
