Showing 2 results for Shiri
Ghahreman Shiri,
Volume 5, Issue 14 (spring & summer- 2010)
Abstract
If we claim that the main subject in Nezami’s life and collection of poems is that of the politics – of course except for Leili and Majnoun- our claim is not off the track. However, in order to prove the dominance of politics in Nezamy’s poems and consequently in his life time , one needs to provide documentation and persuasive reasoning in all poems collections. Nezamy offers his positions either ironically and generally or by appealing to historical samples and figurative speech so as to protect his secluded life from the political turmoil. Makhzanollasrar depicts political and social "shoulds" and "shouldn’ts" in a moral- religious context. Khosro and Shirin is a sample of "should" and "shouldn’ts" in emotional- political behaviors and Haft Peikar (seven figures) and Eskandar Nameh are also considered as ideal values in the field of simple political actions and reactions. Despite all differences, these poetic collections are common in one subject. That is, depicting ideals and human goals in all places and times. Initially, the poet discusses about a moral and ideological society or religious utopia. Then he depicts the emotional and romance modes as well as desirable and undesirable human's reactions against these modes. Then he deals with political society and its desired characters, narrating about his political utopia of two different forms- in the form of existence relativity in country history or in the form of a desirable reality in the world history. This helps Nezamy to show his discontent with status quo through taking refuge in aliens.
Hamed Bashiri Zirmanloo,
Volume 8, Issue 22 (3-2022)
Abstract
As a literary subgenre, epic poetry is characterized with specific features in terms of language which distinguishes it from other subgenres. The secondary layer of meaning is the other distinguishing factor. In study, in order to examine the secondary layer of meaning in epic, analyzes the story of "Rostam and Sohrab" in terms of the frequency and variety of secondary meanings and its relationship with the literary type of the epic. For this purpose, the syntactic structure of verbs at the beginning of the stanza and the secondary meanings related to this syntactic structure are examined. The most frequent aspects of the secondary layer of meaning are emphases on the verb, exaggeration and bowing, and emphatic intention. The discussion of secondary meaning of emphatic intention can be considered as the novelty of this article. The secondary meanings of emphatic intention, along with the emphasis on action and exaggeration and bowing in terms of number and type, indicate the unity and harmony of these secondary meanings.
