Ali Mohammad Haqshenas,
Volume 1, Issue 1 (5-2004)
Abstract
Referring to the lack of coordination and agreement among Iranian linguists and Iranian men of letters, the author of this article discusses the negative consequences of such discordance. Then, he discusses the contributions of linguists to literary studies. The author offers a way by which linguistic methodologies can demonstrate the inferences of the men of letters objectively. Since long, there has been argument over the three terms; verse, prose, and poetry. As a result the boundaries among the three have not been clear-cut. In an attempt to solve the confusion, the author examines the three terms linguistically and presents the differences among them. Along the same lines, he seeks to drive some objective rules in order to make a clear distinction between language and literature. He also offers a basis on which the position of verse, prose, and poetry can be determined as three artistic modes of the same name, i.e., ‘verbal art’.
Yadollah Bahmani Motlagh, Malahat Najafi Arab,
Volume 6, Issue 16 (4-2011)
Abstract
Myrzadeh Eshghi is one of the innovative and intellectual poets of the Mashrooteh Constitutional era. He was deeply under the influence of the Constitutional Revolution. The developments and events of that time have a great effect on his thinking, as well as language and literary aspects of his poems. This caused him to be a pioneer in using the French vocabulary prior to his colleagues. He was among those who sacrificed their lives for the sake of freedom, love of country. We can see the reflection of literary schools such as Realism (in Manzumeh-e-Ehtiyaj), Symbolism (in Se Tabloye-e-Maryam, parts of Kafan-e-Siyah and Barge Bad Bordeh), Romanticism (parts of Idehal) and post modernism that the poet in the realm of imagination began to break the traditions even the modernism. We can also see in his poems the examples of political schools such as anarchism or a society without any ruler and without government, extreme nationalism and anti-humanist; i.e. poems in which he consider human being lower than the worst animals. This article tries to analyze the effectiveness of this domain of the world literature in Myrzadeh Eshghi.
