Fiction and Interdisciplinary Studies

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In this study, attempts have been made to illustrate the formation and movement of a human theme in an international context. Among the available viewpoints concerning comparative literature, Remarque was adopted. He has considered comparative literature not as an independent subject but as an interdisciplinary one and as a bridge between literature of all nations. From among a wide variety of methods of comparative literature, George Brady suggests a method comprising four stages: description, interpretation, juxtaposition, and comparison.
The poem "heart of mother" was composed by Iraj Mirza, a parliamentary poet, and has been murmured and taught by our  sympathetic teachers.  Joan Rich Pen is the main part of it, and France is the main source of it.  A comparative survey of this theme indicates that people irrespective of all distinctions, originating from their cultural differences,  have a great number of things in common. These commonalities originate from their human spirits. Comparative literature, then, can manage to transfer feelings, emotions and wisdom to peoples and nations in order to provide positive relationships and connections between them and foster their thoughts and  feelings as  well as  mutual understanding.


 

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Religious poems form one of the rich domains of Persian literature heritage. Though these poems abound, researchers have paid less attention to them and many of them are unknown, confined to manuscripts. These poems deal with different themes most of which are    concerned with one of the religious characters. These poems can be studied form historical and linguistic perspectives. The former studies named these poems "religious Epics". Classifying   these works based on content, we have shown that only one group of them is put under such titles. Then we deal with bibliography of the works composed about Imam Ali (PBH). We have also provided brief information about each of them.
 

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layered stylistics is a sub-branch of stylistics. In layered stylistics, considering the situational context as a macro-layer, researchers break down the text into strata and study the style by examining the text strata and identifying prominent or frequent features. This type of stylistics can be considered as the most complete and accurate methods in stylisitcs. Due to the large number of manuscripts obtained from Hossein Kharazmi’s Divan, the authors use layered stylistic to prove the accuracy of their attribution to this poet.
In this research, in an analytical-descriptive approach developed by Mahmoud Fotouhi in his book, the lexical and ideological layers of Kharazmi’s Divan are analyzed. The words and combinations of verses as a unit of style analysis are also examined. It is suggested that the lexical layer is effective in discovering the ideology of the text and explaining the hidden power relations.
Results: In the lexical layer, regarding the semiology of words, vocabularies are divided into structural and process codes, and indicators, vocabulary marking, and repetitive words are introduced as stylistic components. From a stylistic point of view (lexical and ideological), all the copies obtained from the court are consistent and prove their attribution to Hossein Kharazmi. Also, the table of indicators including announcements, titles, histories, material, dates, places, etc., further reinforce this argument. Other elements such as typography, personal stylistics, and period and external music, confirm this issue.
The research finds that that among codes, religion has a high frequency. The codes of a process originate from the harmonious connection and function of religion and government on the one hand, and on the other hand, the domination and influence of religion and culture over government and documenting power over religion. These codes are very much in line with Kharazmi's thought. Also, the words related to the institution of love and mysticism have the highest frequency and repetition.