|
Polyphony in Sange Sabour
|
Zeinab Norouzi *   1, Tahereh Gholami2 |
1- Birjand University , zeynabnowruzi@birjand.ac.ir
2- Birjand University |
|
|
Abstract: (16484 Views) |
With the development of Bakhtin's theory of polyphony in literary criticism, the kind of attitude to literary texts has changed, and according to the needs of modern society, this discourse became the focus of attention of thinkers and literary theorists. Polyphony, with its own meta-lingual potentials, brings with it a new approach, a rethinking of the audience, so that the reader can have a new range of experiences. In this research, employing Bakhtinian dialogical logic, it is possible to examine Sange Saboor as polyphonic and dialogical. Sange Saboor has a special structure that differs from other works of Chubak and utilizes components such as the plurality of voices, the use of stream of consciousness, internal monologue, intertextuality, two-way discourse, literary schools, etc. The author of this article attempts to find the features that turn the text polyphonic and explore their function.
|
|
| Keywords: polyphonic, dialogic, Sadegh Chubak, Sange Sabour, intertextuality |
|
|
Full-Text [PDF 5211 kb]
(1613 Downloads)
|
|
Type of Study: Research |
Subject:
Special
|
|
|
|
|
|
|
| Send email to the article author |
|
|
|
| Add your comments about this article |
|
|
|
