A Semiotic Reading of Houshang Ebtehaj's Poem &quot;Arghavan&quot; Based on Riffaterre's Approach

Ghavami, Badrieh; Azarnava, Lida

doi:10.52547/jpll.30.93.201

[Home ] [Archive]

[ فارسی ]

Half-Yearly Persian Language and Literature

دوفصلنامه زبان و ادبیات فارسی دانشگاه خوارزمی

Main Menu

Home

Journal Information

Articles archive

For Authors

For Reviewers

Registration

Contact us

Site Facilities

Publication statistics

Search in website

Receive site information

Publication Information

Publisher
Kharazmi University
Managing Director
Nasergholi Sarli
Editor-in-Chief
Habib-Allah Abbasi
Manager
Zahra Saberi
In charge of the Site
Tahereh sadate Mirahmadi

ISSN	2476-6925
EISSN	24766941

Indexing Databases

Social Networks

Volume 30, Issue 93 (1-2023)

Persian Language and Literature 2023, 30(93): 201-221

Back to browse issues page

A Semiotic Reading of Houshang Ebtehaj's Poem "Arghavan" Based on Riffaterre's Approach

Badrieh Ghavami ^*

¹, Lida Azarnava²

1- Islamic Azad University, Sanandaj Branch , Badrieh.Ghavami@iau.ac.ir
2- Kharazmi University

Abstract: (2619 Views)

Semiotics is an interdisciplinary approach that examines sign systems in a literary work; Among the approaches to semiotics is the theory of Michael Riffaterre, a French-American theorist on the semiotics of poetry. According to this approach, the reader is a very important factor in the process of reading the text; Riffaterre believes that meaning is always present in the text of a poem and only the reader should extract it. In his view, the meanings of poetry should be understood on its own, not by referring its signs to external realizations, and understanding poetry requires the reader to try to find an intertwined network of signs, and in this regard, her approach can also be considered as a reader-cantered critique. In this research, Ebtehaj's poem " Arghavan" [English Equivalent: purple] has been analysed using Riffaterre approach. The central idea of the poem is "the isolation of the poet in an inappropriate social space", which is expressed in different ways in the text of the poem. Although this idea is not mentioned directly in the poem, the widely used propositions and clichés of the language that the poet uses by repeating them in the process of "over determination" or through the "conversion" process, by modifying those propositions, or using the "expansion" process, by extending the general idea to more detailed ideas. In addition, by discovering two semantic processes of "accumulation" as well as "descriptive anthologies", which all come from the same source and guide the poem to induce a single theme, the descriptive anthology of " Azadi" (freedom) that evokes words such as "morning", "spring", "candle", "lamp", "sun", "dawn" and "sun"; In contrast to "Sharayet-e Namonaseb-e Ejtemaei" (unfavourable social conditions) that the "forgotten silent corner", "crypt" and "night of darkness" evoke the same concept.

Keywords: semiotics, language of poetry, contemporary poetry, Michael Riffaterre, Houshang Ebtehaj

Full-Text [PDF 3375 kb] (1069 Downloads)

Type of Study: Research | Subject: نشانه شناسی

References

1. ابتهاج، هوشنگ (1385) تاسيان. تهران: کارنامه. احمدی، بابک (1378) ساختار و تأويل متن. چاپ چهارم. تهران: مرکز.

2. ايگلتون، تری (1380) پيش¬درآمدی بر نظرية ادبی. ترجمة عباس مخبر. چاپ دوم. تهران: مرکز.

3. برکت، بهزاد، و طيبه افتخاری (1389) «نشانه¬شناسی شعر: کاربست نظرية مايکل ريفاتر بر شعر ای مرز پرگهر فروغ فرخزاد». پژوهش¬های زبان و ادبيات تطبيقی. شمارة 4: 109-130.

4. پاينده، حسين (1387) «نقد شعر "آی آدم¬ها" سرودة نيما يوشيج از منظر نشانه¬شناسی». نامة فرهنگستان. 10/4: 95-113.

5. پاينده، حسين (1397) نظريه و نقد ادبی (درسنامه¬ای ميان رشته¬ای). جلد دوم. تهران: سمت.

6. حسينی¬معصوم، سيدمحمد، و شيرين آزموده (1391) «بررسی نشانه¬شناسی ساختارگرای شعر ارغوان هوشنگ ابتهاج». پژوهش¬های ادبی و بلاغی. سال اول. شمارة 1: 21-31.

7. ذوالفقاری، محسن؛ زهرا موسوی، و علی خسروی (1397) «بررسی فرماليستی شعر ارغوان از هوشنگ ابتهاج در سه حوزة زبان، موسيقی و زيبايي¬شناسی». فنون ادبی. سال دهم. شمارة 3: 31-48.

8. شمس تبريزی (1385) «مقالات شمس تبريزی». تصحيح و تعليق محمدعلی موحد. چاپ سوم. تهران: خوارزمی.

9. عظيمی، ميلاد، و عاطفه طيّه (1391) پير پرنيان¬انديش (در صحبت سايه). چاپ سوم. تهران: سخن.

10. فرهنگی، سهيلا، و محمدکاظم يوسف¬پور (1389) «نشانه¬شناسی شعر الفبای درد سرودة قيصر امين‌پور». کاوش¬نامه. سال يازدهم. شمارة 21: 143-166.

11. گيرو، پير (1380) نشانه¬شناسی. ترجمة محمد نبوی. تهران: آگه.

12. مدرسی، فاطمه، رحيم کوشش شبستری، و محمد بامدادی (1397) «کارکرد نظام نشانه-شناسی در شعر معاصر» (با تکيه بر اشعار حسين منزوی، هوشنگ ابتهاج و شفيعی-کدکنی). سبک¬شناسی نظم و نثر فارسی (بهار ادب). سال يازدهم. شمارة 2 (پياپي 40): 299-311.

13. مکاريک، ايرناريما (1384) دانش¬نامة نظريه¬های ادبی معاصر. ترجمة مهران مهاجر و محمد نبوی. چاپ دوم. تهران: آگه.

14. Riffaterre, Michael (1978) Semiotics of Poetry. 1st.ed. Bloomington: Indiana University Press.

15. Riffaterre, Michael (1983) Text Production. 1st.ed. New York: Columbia University Press.

16. Riffaterre, Michael (1984) Semiotics of Poetry. Bloomington: Indiana University Press.

17. Riffaterre, Michael (1977)" Semantic over- Determination in Poetry" PTL2, 1-19. Ahmadi, Bābak (1999) The Structure and Interpretation of Text. Tehran. Markaz. [In Persian].

18. Azimi, Milād, and Tayyeh, Ātefeh (2012) Pir-e Parniān Andish (Dar Sohbat-e sāyeh) Tehran: Sokhan. [In Persian].

19. Barakat, Behzād and Eftekhāri, Tayebeh (2010) "Semiotics of Poetry: The Application of Michael Riffaterre's Theory on 'Ey Marz-e Porgohar' [English Equivalent: Oh homeland! full of jewel!] poem by Forough Farrokhzad". Journal of Comparative Language and Literature Research, No. 4, Winter 2010, Pp: 109-130. [In Persian].

20. Ebtehāj, Houshang (2006) Tāsiān. Tehran: Kārnāmeh. [In Persian].

21. Eagleton, Terry (2001) An Introduction to Literary Theory. translated by Abbas Mokhber. Tehran: Markaz. [In Persian].

22. Farhangi, Soheilā and Yousefpour, Mohammad Kāzem (2010) "Semiotics of Alefbā-ye Dard [English: the alphabet of pain] composed by Qeisar Aminpour". Kāvoshnameh, Eleventh Year, No. 21, Pp: 143-166. [In Persian].

23. Giro, Pierre (2001) Semiotics. translated by Mohammad Nabavi, Tehran: Āgāh. [In Persian].

24. Hosseini Masoom, Seyyed Mohammad, and Azmoudeh, Shirin (2012) "Study of structuralist semiotics of Houshang Ebtehāj's 'Arghavān' Poem". Literary and Rhetorical Research. first year. first issue. Pp. 21- 31. [In Persian].

25. Makaryk, Irena R. (2005) Encyclopaedia of Contemporary Literary Theories. translated by Mehrān Mohājer and Mohammad Nabavi. Tehran: Āgāh. [In Persian].

26. Modarressi, Fātemeh; Koushesh Shabestari, Rahim; and Bāmdādi, Mohammad (2018) "The Function of Semiotics in Contemporary Lyrics" (Lyrics Hossein Monzavi, Houshang Ebtehāj, Shafiee-Kadkani). Journal of Stylistics of Persian Poem and Prose. Eleventh year, Summer 1397, Number 40. Pp: 299-311. [In Persian].

27. Pāyendeh, Hossein (2008) "Critique of Nima Yoshij's Poetry from the Perspective of Semiotics". Nāmeh-y Farhangestān. 10/4. Pp: 95-113. [In Persian].

28. Pāyendeh, Hossein (2018) Literary Theory and Criticism (Interdisciplinary Textbook). Volume II. Tehran: Samt. [In Persian].

29. Shams-E Tabrizi (2006) Maghalat-e Shams. Tehran: Kharazmi. [In Persian].

30. Zolfaghāri, Mohsen; Mousavi, Zahra, and Khosravi, Ali (2018) "A Formalistic Analysis the three domains of Language, Music, and Aesthetics in Arghavān, a poem by Houshang Ebtehāj", Literary Arts. Tenth year. No. 3. Fall 1397. Pp: 31-48. [In Persian].

Send email to the article author

Add your comments about this article

‎ 10.52547/jpll.30.93.201

‎ 20.1001.1.24766925.1401.30.93.19.7

Mendeley

Zotero

RefWorks

Ghavami B, Azarnava L. A Semiotic Reading of Houshang Ebtehaj's Poem "Arghavan" Based on Riffaterre's Approach. Persian Language and Literature 2023; 30 (93) :201-221
URL: http://jpll.khu.ac.ir/article-1-4141-en.html

Rights and permissions
	This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Volume 30, Issue 93 (1-2023)

Back to browse issues page

Persian site map - English site map - Created in 0.09 seconds with 44 queries by YEKTAWEB 4666