|
|
|
Search published articles |
|
|
General users only can access the published articles
Showing 4 results for Subject:
Yadollah Jalali Pandari, Sakineh Abbasi, Volume 23, Issue 78 (5-2015)
Abstract
The "falling into a jar" motif along with its other changed forms is rooted in the rituals of death and rebirth festivals in the ancient Iran. Although this ceremony has vanished, its images exist in Persian poetry and folktales. In this paper the researchers have explored a number of stories, proverbs and figures of speech that contain this ceremony. The result of this research shows that literature preserves these customs and festivals. In addition, there is a strong connection between this ceremony and literary images, and sometimes the structure or themes have been changed by the poet’s feelings or social conditions.
Mahdi Heidari, Alireza Hajiannejad, Volume 25, Issue 83 (3-2018)
Abstract
The early mystics were actively involved in Jihads wherein they strove for social and political activism and alsofought the enemies of God. Because of the Islamic conquests and wars against the infidels in the early centuries AD, many Sufis lived in conventson the borders and participated in the war against enemies. Among them the names of Hassan Basri, SufyanSauri, Ibrahim Adham, ShaghighBalkhi, Hatam Assam, Abdullah IbnMubarak, Mohammed ibn Karram and the followers of the Karramiyeh are noteworthy. Also,when Sufis began to write books, many of them concentrated on the issue of Jihad; among these writes we can refer toKolabazi, Tirmazi, Neffari, Sarraj, Makki, Khargushi and Sollam .This article is a library based research and draws on the major primary sources on Mysticism. It aims to study the quality of the presence of the Sufis in Jihads, and the issue of Jihad in books by the Sufis.
Davood Vaseghi, Mahdi Malek Sabet, Mohammad Kazem Kahdooyi, Volume 26, Issue 85 (1-2019)
Abstract
Interpretations are of the most fundamental principles of mysticism (Sufis). Masters of taste with their scientific and intuitive power go beyond the surface structures and present real and unfathomable meanings of the Quran and Hadith in ways that may not cross the mind of ordinary people. Masnavi Manavi is one the works that has an interpretation look toward the Quran and Hadith. Delving into this great work reveals that Mawlānā, in many cases, goes beyond the surface structures of Hadith and attaches a profound meaning to them. Sultan Walad, Mawlānā’s son and follower, in his Masnavies adopted an interpretative view toward Hadith. Though he has innovative views about the interpretations of the Quran and Hadith, in most of the cases he was influenced by his father’s work.
The authors in this study investigate Mawlānā’s interpretive approach in Masnavi Manavi and reveal how they affected Sultan Walad’s Masnavies. The results show that Mawlānā and Sultan Walad rejected superficial thinking and reliance on the surface of religious works. They believed that because of the fact that they overcome their humanistic desires and self-love, the true Allah lovers are infallible in their speech because Allah reveals to them the truth. And they can express the profound meaning of religion through their intuitive powers and based on their mystic experience.
Keywords:
Hamid Rezā Ghorbāni, Mohammad Khodādādi, Volume 32, Issue 96 (4-2024)
Abstract
Trees have special importance in Persian poems. Cultural, religious, mythical, ethical, mystical, and political elements have propositions influenced by trees. Following water and the sun, the tree is an important phenomenon from which special literary elements and situations are created. The creative ways of connecting natural phenomena with human elements have been highlighted by the emergence of various political events in the last century on the one hand, and the creation of many artistic ideas and styles on the other hand. The tree image has found a new and multifaceted effect in modern poetry. Modernist poets give special roles to non-human elements and among these, the tree is a human-like mirror image that shows the evolution of human society in its stature. Using the library method and based on an analysis and explanation of poetic evidence in the thoughts of selected poets the current research revealed that the tree could be an image of personal failures, love, a medium of perception, an indicator of freedom, a representative of an ecosystem, a symbol, a sign of death and nonexistence, and a reflection of tyranny and a denial of human existence under the rule of tyranny.
|
|