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Showing 2 results for Behnamfar
Mohammad Behnamfar, Mohammad Ali Mohammadi, Volume 17, Issue 66 (3-2010)
Abstract
Khaghani is one of the greatest Qasida composers in the Persian literature in the sixth century. One of the main stylistic features of this era – which is more seen in the poets of Azarbayejan- is extensive use of the terms and beliefs of different sciences in their time, including astronomy. Khaghani who was a master in astronomy has used the details of this science in creating poetic images. Sometimes he combines astronomical terms and beliefs with mythological and religious beliefs along with different types of semantic and verbal parallels and various figures of speech and thought in a way that astonishes the reader. This article aims at analyzing different ways that Khaghani’s metaphoric mind has used by means of astronomical terms and beliefs to show his wonderful power in creating new and invented images in his poems
Baharak Valinia, Mohammad Behnamfar, Habib-Allah Abbasi, Volume 25, Issue 82 (Published issues 2017)
Abstract
The poetry of Mahdi Akhavan Sales in contemporary Persian poetry and Al-Bayati in contemporary Arabic poetry comprises many Romantic elements. This article is mainly a comparative analysis ofthe titles of the two collections: Akhavan's Zemestan and Albayati's Al-Majd lil-Atfal wal-Zeitoon.The researchers attempt through a content analytic method to show and compare the presence of Romantic elements in these poetical titles. The results show that some Romantic elements such as return to childhood, escape and travelling, sadness and loneliness and Romantic archaism are obviously reflected in the titles of the two collections of Akhavan and Al-Bayati. The title has an important role in forming the general identity of the text, and this fact indicates the special position of Romanticism in the two poets’ perspective. Some Romantic elements, such as nationality, are reflected in Al-Bayati's poetic title, but this feature is not seen in Akhavan's poetic title, though the case is different in the text of his poems
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