---

"One Thousand and One Nights", like many other literary works of the world, is a mirror which reflects the archetypes that are the product of different mankind’s repeated experiences left at his unconscious. The psychoanalytic study of myths which are a repository of mankind's aspirations and thoughts shows the presence of “collective unconscious” as denoted by Jung, revealed in archetypes.  This study aims to analyze one of the stories of the book "One Thousand and One Nights", named "Jozar", in the light of Jung's findings in the realm of psychology of myth. The findings show that in this story there are some other secondary archetypes other than the major archetypes such as Anima, Animus, Wise old man, Shadow and Mother. The archetypes are classified into three categories: Archetypal situations, characters, and symbols. In this study, different types of archetypal situations are journey, visiting the self, and visiting anima. Different archetypal characters include The wise old man, Anima, Animus, Shadow, and Mother. The archetypal symbols analyzed involve numbers, animals, objects, etc. The present study confirms the high potentials of "One Thousand and One Nights" to be studied as mankind's common collective psyche along with history which includes stories and legends as well. 

---

The book Javame Ahkam Alnojoom written by Abu Al-Hasan Ali Ibn Zayd Beihaqi is truly considered as a masterpiece on astronomy written in 6th century.  The prose of this book duplicates a good part of the Morsel prose in terms of lexical and stylistic features of the 6th century. This book has unique stylistic features including variety of iterations, various removals, specific application of phrases and words, writing features, specific application of pronouns and arrangement of components as examined in this paper. In this book, in addition to using old Persian words, difficult Arabic words have also been utilized, At times, even some rather low frequent words which are not included in dictionaries appear in this book

---

In modern aesthetics, the form of a poem is not enough to explain its artistic beauty. Therefore, a there is a comparative tendency to study the effect of the social environment on the personality and the taste of the poet, which leads tothe study of literary works on the basis of psychology and sociology of literature.

The researchers in this paper followa descriptive-analytical approach and employsome interdisciplinary sciences, such as psychology, sociology, anthropology and linguistics, to study the aestheticelement of color in the poetry of one of the most prominent Modernist poets of Tajikistan, FarzanehKhojandi. It is concluded that the poet is influenced by the colorful social and cultural environment of Tajikistan and employ color to describe his ethical views in the best way. Moreover, besides using the dominant symbols in Persian poetry, he introduces new symbols and diction in regard of colors and thus enriches Persian language and poetry

---

In this article the Ontological Metaphors in the Songs of Southern Khorasan are studied in two parts: human as the central domain and non-human as the central domain. The importance of this article is that most researches done on songs are anthropological researches to introduce the national and local culture and they mainly focus on the musical aspects of these songs. No research so far has been done on the linguistic aspector the aspect considered in this research on these songs. The necessity of this research is due to the fact that with the change of generations and improvement in technologythe songs will no longer be remembered and this part of folklore will fade away sooner or later. Therefore, it is necessary to record and introduce this oral culture to people. The dataused in this article are collected from books about the culture of Southern Khorasan and also from interviewing the people of this region. With a view atLakaff and Johnsen’s theory about metaphor,that is, metaphor is not a linguistic issue but a mental one, this study aims to show how these mental conceptualizations in the songs can be a reflection of the people’s experiences.

---

Studying and analyzing the ways of rewriting and recreating in Bahram Beyzai’s literary works is the main goal of this paper. He is a norm-breaker author who destroys the reader’s mental and language structures and defaults. The plays, scripts and narrations which are analyzed in this article are Azhdehaak, Arash, Ahu, Salandar, Talhak va Digaran, Pardeye neiy, Siavash Khani, Shabe hezar-o Yekom and Majlese Ghorbaniye Sennemar. At first, in this research, Beyzai’s descriptive-analytical ways are introduced, and then these ways are analyzed in Beyzai’s   works.  The ways are generally as follows: 1. recreating an old work on two levels: “changing the plot” and “changing the dutifulness of characters,” and 2. rewriting an old work in some ways by “adding dialogue between characters”, “suggesting cause and effect relation” and “changing the ways of narration.”