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There are hypotheses in the history of human culture and civilization in which we can find undeniable similarities and commonalities among them, despite their vastly different cultural and historical contexts. For example, finding commonalities between the language of two artistic aesthetic hypotheses, Sufism and Surrealism, which are very different from each other in terms of context, time as well as cultural and historical emergence, is so difficult. Our main issue in this paper is that there are undeniable similarities between these two hypotheses. This is done by means of a descriptive analytical method and comparative literature approach, particularly in American mode of it, whose aim is to study literature across the borders of given territory and research about the relation among literatures and any other epistemic areas such as art, history and philosophy. We found several common aspects between the languages of these two movements. For example, they use rebelliousness and innovative imagination, symbolism, dream, subconscious mind, love, satire, automatic writing, and madness. They also both guide humans to what is superior and profound.
 

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One of the modern theories of literary criticism, which is based on psychological knowledge, is the Archetypal criticism. This theory is based on the views of Carl Gustav Jung and deals with the quality of the absorption of archetypes in the mind of the poet or writer. According to studies, a heroic journey in each person’s life is possible to achieve individual perfection. Fereydoun’s story is important because of the ups and downs of his life and the important characteristics that directly affect his personality during events at every stage of his story. The purpose of this article is to study the story of Fereydoun from the perspective of an archetypal criticism based on the intellectual foundations of Carol S. Pearson and Hugh Marr on the twelvearchetypesforawakening the hero within.Adopting a descriptive-analytical approach,the authors try to portray the manifestations of prominent archetypes in Fereydoun’s story.
 

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The presented research is a psychological reading of the short stories of Laili and Majnoon in Attar's three important works, namely, Elahi Nameh, Mantegh Al-Tair, and Mosibat Nameh, which aims to express the mystical concepts that have been formed in the mind and consciousness of Attar. The inquire about issue of this proposition is to explore the characters, circumstances and model images of these conventions. For this reason, the conclusions of two popular clinicians, Freud and Jung, have been utilized; Based on Freud's identity hypothesis, it is conceivable to check the degree of having a place of enchanted characters to instinctual (Forman), reality (man) and profound quality (Faraman), and with the assistance of Jung's paradigm hypothesis, the typical prime examples duplicated by these characters in these conventions can be found. The main purposes of the presented research are as follow: 1- creating a new perspective for the readers of mystical texts. 2- The effectiveness of Lili and Majnoon's stories in Attar's works through the Freud and Weaving's theories.
The working method here is that first the stories of Lili and Majnoon are collected from these three works and the type of association between them is determined with the theme before it. This case is important in order to understand what mystical concepts these characters symbolize in Attar's subconscious mind and how they were created and discussed. Then they are analyzed based on Freud's personality theory and Jung's archetype is investigated, we realize that Attar's associations are based on similarity, contiguity and contrast, which is the largest volume of associations of the type of similarity. Considering the content of the stories, we found the characters and archetypal symbols of these stories.
Current investigation revealed that the archetypes expressed in the stories of the above-mentioned works have been the place of emergence of associations for the mystical theme, and the most important of them are the meeting place of love, instinct, spiritual elder and God, and their relationship with each other is exactly in line with mystical teaching is.