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Hindi style was adopted as a new method to escape the repetition and imitation which had been widespread in Persian poetry for a long time. However, it went ahead with this new manner so far that later on this style was considered decadent and did not enjoy a high status among literary community despite its merits  and beauty.  Fazel Nazari is a young poet whose poems in recent years have been well-received by the audience. He has excellently identified the capacities of Hindi style poetry and applied them to his own poems.  In this paper, the researchers demonstrate and investigate the characteristics of Hindi style in Nazari’s poems, features such as depth and complexity, themes, lack of vertical axis in Ghazal, allegory, using simple and everyday language, using daily issues, objects and environments in poetry, and personification. Moreover, a number of points regarding the artistic value and the aesthetic qualities of the mentioned characteristics have been discussed

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Through a rhetorical system, poets’ and writers’ worldview is reflected in their literary works. One effective factor in forming or changing these viewpoints is the happenings and changes of the world poets dwell on different levels. Simile is an important structure in the rhetorical system. In this piece of research the writers have tried to show how structure of simile in Bidel reveals transformations in the texture of situation on different levels through establishing relations with other rhetorical structures. Moreover, the research also investigates how vivid or subdued transformations in the current period affect the horizon of expectation of previous ages resulting in the formation of new horizons. In this article, the poems of Bidel are regarded as a field the intrinsic transformations in which can be attributed to other fields such as Hindi style of poetry. Through this study, it became obvious that not only the poet (Bidel) sometimes creates new structures out of old similes, but also he establishes new structures by creating chains of similes networks, resulting in the abundance of syntactic images, or  several images using multidimensional words, etc. In the following article, situational texture of Safavid era, linguistic texture of Hindi style, its common simile structures, and at last, new simile structures and their features in Bidel’s poems are studied.
 

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The culture and literature of Iran, has paid special attention to the religion of Christianity. This feature has become more prominent in the Safavid era for political, social, cultural and ideological reasons. Saib, the greatest poet of this era, had further contribution in reflecting this feature in his poems. This paper examines the events of the life of Christ in his Divan of six books by his descriptive-analytical method and concluded that the religious features his era, his theosophical and ethical perspective, the attachment of the audience of Saib poetry to Christ and the religion of Christianity and, finally, his tendency to theme-creating and subtlety and his dominance in the life of heavenly prophets has played a key role in presenting a full image of Christ. Referring to the life of Christ and other divine messengers, he seeks to bring religions closer to one another.