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Showing 3 results for Ismaili
Farzad Blou,
Volume 25, Issue 82 (9-2017)
Abstract
The concept of "other" is one of the fundamental concepts of philosophy, especially in the twentieth century and in the works of Husserl, Heidegger, Sartre and Levinas, which carriesepistemological and ontological importance. It was also introduced by Mikhail Bakhtin in the field of literature and literary theory. From another perspective, Naser Khosrow developed and introduced such a concept after joining the Ismaili sect, concerning an urban vision of religion, the ruler and the ruled, poetry, and philosophy. Accordingly, everyone steps beyond or below these lines was not exempt from Naser Khosrow’s satiric reproach. In this article the researcher explains the theoretical foundations of the concept “the other” and also the Naseri Utopia. Moreover, the researcher intends to describe and analyze the treatment of the poet of different classes and political, social, philosophical, and literary groups.
Maryam Kasayi Kasayi, Rahman Zabihi, Alireza Asadi,
Volume 29, Issue 90 (7-2021)
Abstract
Naser Khosrow’s intellectual system has been formed on the basis of his deep knowledge of religions, nations and ideologies, his faith inIsmailism, as well asthe cosmological and anthropological issues;and this coherent system of thought has had a decisive and visible effect on other aspects of his speech, including imagery.One of the important centers of artistic images in his works is the reflection on the dual spiritual and physical nature of man. Based on a descriptive-analytical method, this study seeks to search for the roots and sources of the artistic images of the body and soul in the works of Naser Khosrow as well as theircriticism and analysis.The origin of body and soul, the philosophy of the soul belonging to the body, the nature and destiny of body and soul and the different needs of these two are the most important reasons for creating numerous images of body and soul in Naser Khosrow’s works.Several other important clusters of images of body and soul are formed around concepts such as house and landlord, servant and master, ship and shipmaster, shirt, pearl and shell, mine and gem, prison and prisoner, and book and tree, showing body and soul relations from different perspectives.The results of the study show that the roots and sources of many images of body and soul in Nasser Khosrow’s works have been mentioned in previous theological and philosophical sources, including ancient Greek, Gnostic, Indian, Iranian, and Islamic works.
Maryam Kasayi,
Volume 31, Issue 94 (6-2023)
Abstract
In Nasir Khusraw’s thought system, correspondence, which is constructing similitude and connection among constituents, stages, and domains of the world, human and Ismailism, has a special position. In his view, there are close and delicate relationships and similarities among stages of existence and existential spheres of human being with different dimensions of Ismaili doctrine. Based on a descriptive-analytical method, this study tries to find answers to the following questions: What are the areas of correspondence in Nasir Khusrawworks? What are the backgrounds and origins of correspondence in his works? And what is his objective of designing and developing the correspondence approach? This study shows that correspondence between the major and the minor worlds, correspondence between the spiritual and the physical worlds, and correspondence between the stages of the call to Ismailism and the constituents of existence are the most important areas of correspondence in Nasir Khusraw’s writings. The origin of the special attention to correspondence in his thought stems from the mythology and philosophical thinking of different nations as well as the works of grand Ismaili priests. The aforementioned domains are interrelated and Nasir Khusraw’s main objectives of his widely propounding this approach are understanding existence, explaining the human place in the world’s stages, and substantiating the truth of Ismaili teachings.
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