The Lost and gone glory of the once magnificent Sasanid palace, Taq-e Kasra ,  has posed a grievous emotional impact on the many who have visited it for many years. Poets like Khayyam, Behtari, Khaghani, Sheikh Reza Talebani, and Ma'rouf Alrasafi, among others, have indicated their sad feelings of their visits to the ruined palace through their poems. From among all poetry on that theme, Khaghani's poem enjoys a higher prestige and reputation on such grounds as simplicity, and elegance in terms of both form and content. This article aims at scrutinizing the question whether Khaghani's poem, as assumed by a great number of contemporary researchers, was indeed written according to the motive of national patriotism on the side of the poet or rather stemmed from the poet's feeling of despair and fickleness regarding the unstable world. It is hoped that the findings of this study will shed more lights on the issue.

Khaghani is one of the greatest Qasida composers in the Persian literature in the sixth century. One of the main stylistic features of this era – which is more seen in the poets of Azarbayejan- is extensive use of the terms and beliefs of different sciences in their time, including astronomy. Khaghani who was a master in astronomy has used the details of this science in creating poetic images. Sometimes he combines astronomical terms and beliefs with mythological and religious beliefs along with different types of semantic and verbal parallels and various figures of speech and thought in a way that astonishes the reader. This article aims at analyzing different ways that Khaghani’s metaphoric mind has used by means of astronomical terms and beliefs to show his wonderful power in creating new and invented images in his poems

Identical Rhyme is one of the important factors which plays a great role in turning up the lateral music of poetry. The fact that it is placed after rhyme containing verbal and semantic unity, has been the common denominator of all the definitions given for this very concept from the beginning to the present time. Deviating from these concepts, and employing linguistic capacities such as figurative, ironic and new metaphoric meanings in the context of discourse, Khaghani Shervani (515-595 after Hijrat), has challenged all the existing definitions in this respect and more specifically in the field of semantic unity in a way that he has presented 116 different meanings for "Identical Rhyme" only in a long (145-couplet ballad). In the present study, after demonstrating Khaghani's artistic capability in this field, we have made an attempt to revise the definition of Identical Rhyme as well. To achieve this purpose, all types of nominal, verbal and adverbial Identical Rhymes and the like, as reflected in Khaghani qasaed (odes ) were scrutinized.

A part of Khaghani's Divan includes his Arabic poems where one can be find a large number of errors which have not already been studied and discussed. In this paper, attempts are made to illustrate some of these errors and correct them. In so doing, the present researchers have studied these errors stemming from misreading (Tashif), distorting and miswriting, and considering Khaghani's other poems and Arab poets, the syntagmatic (metonymic) level of poems, Khaghani's poetical style, figures of speech, copies, meanings, etc,  we have suggested the correct forms. These errors are so frequent; hence, it is highly necessary to correct them. Due to Khaghani's great status, his artistic skills and his powerful rhetoric in Persian and Arabic languages, it is highly necessary to study these poems more closely and precisely again.

One of the oldest and most pleasant and efficient kinds of poetry, which have attracted the attention of scholars and lovers of poetry since the beginning of the Persian poetry until now, is elegy. Khaghani Shervani is one of the poets who wrote after this genre and composed many memorable and beautiful elegies. The poet, who like many other people experienced happy and sad events and occasions, wrote many elegies in which he commemorates and remembers many of his dear ones. These poems are marked by their emotional language and poetic expression of feelings, which is simple and unaffected but at the same time expresses his emotion and passion in the best possible way. In this article elegy is discussed in the collected poems of Khaghani