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Showing 2 results for Mystical Poetry
Manzar Soltani,
Volume 18, Issue 68 (7-2010)
Abstract
In verse 172, Aaraf Sura, God covenants with its thrall (servants); but this verse expressed a general concept and did not discuss the details. This resulted in suggesting different views and comments by mystics, scholars, theologians, commentators and jurists. They explicitly pointed to some of the cases of this eternal covenant, such as testament of Adam, confession of people to God and saying "yes" by Adam to God; but commentators and mystics had different and contradictory perceptions. This study analyzed the process of concept formation and different thoughts of "eternity" from the first commentator to the books of Persian literature mystics, and offers a comprehensive and detailed discussion of the issue
Mohammad Hosein Bayat, Fariba Jabbari,
Volume 29, Issue 90 (7-2021)
Abstract
Teaching monotheistic topics and trying to understand the ambiguous concepts of epistemology have always been the concern of thinkers. Despite the commonalities in monotheistic teachings, access to rich concepts is not possible for everyone, and there may be contradictions in the understanding of meanings. Hadiqah al-Haqiqah and Masnavi are among the instructive texts that have used figures of speech to express monotheistic concepts. In this article, the teaching style of Sanai and Rumi based on the method of using Monotheistic Images and Corbin’s hermeneutics approach is studied. The monotheistic language of Masnavi and Hadiqah al-Haqiqah is almost the same. Sanai has expressed monotheism in a general way and at a high level, while Rumi has gone into more details about monotheistic concepts. Hadiqah al-Haqiqah images are mostly designed on the horizontal axis, whereas in Rumi’s Masnavi, many images can also be found on the vertical axis. Rumi has sometimes used Sanai symbols and in many cases has taught monotheistic concepts with completely innovative symbols. The monotheistic images of both mystics are a combination of philosophical teachings and mystical intuitive symbols in Corbin’s hermeneutics. Benefitting from the graphic form of the letters (alphabetical symbolism) and the metaphor of the letters are common to both works.
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