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Showing 2 results for Presence
Mahbobeh Shamshirgarha, Volume 20, Issue 72 (5-2012)
Abstract
Saadi is undoubtedly the master of lyric poem in Persian literature. His Melodious and impressive speech in comparison with other poets' sonnets, is related to many cultural, linguistic, expressive, pictorial factors. Although many elegant points concerning his poems have already been investigated by Henri Masse, Gh.Yousefi, A.dashti, M.Ebadiyan, S.Hamidiyan, T. Poornamdariyan, Z.Movahhed etc., there are still many details about the unique techniques in his sonnets which await further research in order to understand the secret of his beautiful speech and extraordinary impulse. In this article, we have addressed ''addressing'' as a determining factor. The determinative appearance of this factor in Saadi's sonnets has a great role in motivational aspect of his poems. Following a quick introduction of addressing, we present the factors that amplify this sense in saadi's sonnets. He has made the addressing factors in his poems by utilizing artistic techniques and making a presence feeling. It is concluded that the most important effect of "presence feeling" and the "addressing factor" is the audience's excitation. Finally, the addressed factors of saadi's speech are analyzed and presented. In this research, we have used the document analysis method and in the last section we present the distribution of data and statistics of the addressed factors.
Habib-Allah Abbasi, Volume 26, Issue 84 (9-2018)
Abstract
Hardly could any poet, like Al-Mutanabbi, draw to himself the constant attention of scholars, literary man and poets. In this article, we try to find the secret of the admiration that Al-Mutanabbi’s poetry has won and see why he is one of the most preferred poets and considered the prophet of Arab poets. Scholars have studied this issue from various perspectives. In this article, however, I will examine this issue taking a number of points into account: first, two terms of “presence” and “absence” in Sufism, wherein like poetry the emphasis is on intuition; second, concepts such as “experience-near” and “experience-distant” and, finally by relying on this verse of Al-Mutanabbi: “the horse and night and dessert are known to me / also sword, paper and pen”. Al-Mutanabbi by his constant presence in his poetic experience has been able to see so openly what has been hidden from many scholars that this spiritual perception turns into an objective reality to him. We can seek the secret of Al-Mutanabbi’s immortality in the constant presence or, in other words, in his “experience-near” and in his deep wisdom which made his poetry to be considered “the true reference of life”.
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