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Showing 2 results for Unconscious
Eshagh Toghyani, Zeinab Choghadi, Tayebeh Jafari, Volume 19, Issue 71 (12-2011)
Abstract
Ferdowsi's Shahname, our national and ethnic narration, is a valuable mélange of myth, epic and history. Some critics have tried to divide Shahname into three distinct mythical, epical and historical parts but these three parts are so integrated that it has been impossible to distinguish them or to draw a borderline between them. For example, those stories which have been considered as historical part of Shahname by some of the critics are mixed with the stories which have roots in mythical thinking, symbolic concepts and national archetypes, yet having a tinge of myth. One of these stories is the story of Karam Haftvad. This mere mythical story is one of the most complex stories of Shahname which can be analyzed from different points of view. So many of the critics have tried to consider this story parallel to the historical realities and to find time, place and justification for it but they have hardly been successful simply because although the mythical plot of the story has been inspired by a reality, it needs mythological analysis to find this implicit reality. "What is Karam Haftvad's myth saying?" and "where has it been inspired by?" are the questions which this article tries to analyze relying on Carl Gustavo Jung's theory.
Mohsen Mohamadi Fesharaki, Nasrin Setayesh, Volume 26, Issue 85 (1-2019)
Abstract
Carl Gustav Jung, the founder of the analytical psychology in the twentieth century believes that under the appearance of human consciousness exists an eternal collective unconscious which is part of the hereditary psychological factor common in the entire human race. He successfully introduced the common archetypes in the mythology of the different nations and opened up a new trend in psychology. This article intends to study "Gol-o-Norooz" in light of Jung’s archetype of individuation. Attention to archetypes for decoding "Gol-o-Norooz" is necessary because this collection is entirely explainable based on these archetypal symbols. Norooz is a symbol of Piroozshah’s unconscious forces and Piroozshah is in turn the activated representative of his own archetype. After many dangerous voyages, he finally reached his beloved, and by the birth of his children the cycle of individuation is completed.
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