|
|
|
 |
Search published articles |
 |
|
Showing 3 results for Emotion
Qaysar Aminpoor,
Volume 13, Issue 47 (9-2005)
Abstract
Azraqi Heravi is one of the great poets of the fifth and sixth centuries who is ranked often as a minor poet. In this paper, the researcher reports a study of the data related to this poet and his life, and, discussing the style of his writing and the innovations he introduces in his poetry, he tries to show that because of these very innovations Heravi is equal to some of his contemporaries if not superior to them. This paper discusses different aspects of his poetry such as his thought, imagination, emotion, language, music and form and gives some evidence to illustrate each of these elements and technical aspects.
Habib-Allah Abbasi, Abdolreza Mohaghegh,
Volume 29, Issue 90 (7-2021)
Abstract
The entry of the legal terms and subjects of the Constitutional era into poetry’s domain caused the confluence of two types of speech, i.e. two areas of legal and literary discourse in that era’s poetry.Public law discourse organized the dominant content of the Constitutional poetry and the particularly weak presence of the element of imagination turned into its characteristic of structure and form.The main question raisedin this research is the explanation of public law discourse’s role in the relationship between form and content in Constitutional poetry.Using a descriptive-analytical method, and based on numerous poetic evidence, this study investigates the issue from the standpoint of a procedure which has emerged through the innate characteristic of legal discourse and its incompatibility with imagery and can be interpreted as “The transition from imagination to emotion” in this era’s poetry. The process based on which the dominant form of Constitutional poetry was organized with a focus on social and revolutionary sentiments in the absence of imagery.In the present article, the compatibility of this narrative with the point of view of literary modernity was investigated and the effects of the research claim on the famous areas and structures of Constitutional poetry were revisited.
Leila Azarnivar, Khodabakhsh Asadollahi,
Volume 33, Issue 98 (5-2025)
Abstract
One of the fundamental emotions is sadness, which, due to the intensity of its impact on human behavior and psyche, can sometimes cause serious problems. Sadness is significant not only in the field of psychology but also in linguistics, to the extent that Lakoff and Johnson have employed it as a target domain in their theory of conceptual metaphor. Nezami’s poetry reflects human emotions and feelings, expressed in a complex and sometimes ambiguous metaphorical language, and decoding and understanding it can influence the thoughts and daily interactions of the audience. This is because, according to Lakoff and Johnson, a major part of our verbal communication is constituted by such metaphors. In the present study, using a descriptive-analytical method based on a cognitive approach, the conceptualization of the emotion of sadness in Nezami’s Panj Ganj (also called Khamsa or the Five Treasures) has been examined from the perspective of conceptual metaphor to clarify the strategies Nezami employed to depict this abstract concept. The findings indicated that the emotion of sadness imparts a particular character to Nezami’s poems as its frequency is high in some of his works, such as Khosrow and Shirin and Layla and Majnun. For conceptualizing sadness, especially that associated with losing something valuable, such as love or death of loved ones, he draws upon various source domains, including humans, plants, animals, natural disasters, and others.
|
|
