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Showing 2 results for Fancy
Ghahraman Shiri, year 19, Issue 70 (3-2011)
Abstract
The word "fancy" was one of the most frequently used expressions of the theologians before the 8th century and was not among the common expressions in the texts of Sufism in this period. Ebn-e-Arabi was the first to borrow the term from Ebn-e-Sina and Sohrevardi in order to describe his specific thoughts on the universe and the human relation with God. He uses the term to refer to whatever beyond God and the phenomena which do not have more than imaginary existence. He also uses the term for the Limbo world which is the intermediary between the World of Nature and the Heavenly World. Prior to him, however, the word "fancy" was used exclusively in the texts of Sufism and was realized through fantasizing like dream trips, legendary events, heavenly creatures' observations, mental mastery over future and distant happenings, and callings of the spirits and individuals all of which make the source of a lot of Sofistic narratives and miracles.
Fatemeh Jafari Kamangar, Mojtaba Damavandi, year 20, Issue 73 (10-2012)
Abstract
The authors of modern stories for the deliverance from the deformity of the new civilization attend the inner world, which is more expanded than the external world. They disregard specific philosophies in art and life and try to display the subjective and psychological personalities. Moreover, instead of revealing social objective challenges of the characters, they aim at displaying the contents of the mind’s inner world. However, to describe the inner world and the mind with the same writing methods used formerly is not possible. Modern writers in order to show the twisted layers of the mind and its world have tried to introduce new ways of narration and story writing. Of course, using such methods may cause some complexity in the novel, but the writer does that deliberately to bring the structure of his novel close to the structure of the mind.This article is a library research highlighting the nature of the mind and presenting one of the first Persian modern subjective novelsShazdeEhtejab by HushangGolshiri. It attempts to discuss how this novel shows the hidden world of the characters and investigates in depth the basic techniques that reveal the mind and the innerworld of the characters.
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