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Showing 3 results for Innovation
Yadollah Bahmani Motlagh, Mansooreh Hoosh-Alsadat,
Volume 27, Issue 87 (12-2019)
Abstract
Linguistic combinations are referred to as a chain of words that associate with one another and form a semantic phrases, such as adjectival and noun. Innovation in this field is one of the main tasks of creative poetry. Shams's sonnets are of the prominent works of Persian literature and their composition is characterized by its stylistic features. In order to express his sublime and mystical thought, Molana has created hundreds of neologisms and used a variety of norms to widen the bottleneck of the vocabulary or to avoid duplicate words and combinations. Among his works, Shams's sonnets are great examples of the fusion of thoughts. In the texts of his sonnets, there are hundreds of fresh adjective phrases such as "Perverted Thought", "Fantasy Imagination", "Golden Excuses" or noun phrases like "Mobs of Fancy", " World of Colors and Smells", “Farm of Heart” that require analysis. Rumi's innovations are not limited to this and different types of new structures are found in his nominative, adjectival, adverbial and verbal phrases and combinations, but this article deals only with this type of innovation. The findings show that Rumi created new and exquisite allusions and metaphors in Farsi using these combinations. And in addition to empowering the language by avoiding the use of repetitive combinations and words, Molana has added to its appeal and has portrayed his inimitable ideas in the form of language.
Mrs Zohreh Fallahi, Dr Ahmad Khiyali Khatibi, Dr Mohammad Sadegh Farbod,
Volume 29, Issue 91 (12-2021)
Abstract
There is a two-way relationship between society and literature so that each one affects the other. In his theory of practice, Bourdieu deals with the interaction between literature and society and their mutual impact on each other. In the present article using Pierre Bourdieu’s theory of “practice”, three concepts of habitus, field, and action have been considered as the basis of analysis to provide a sociological investigation of Ahmad Shamlou’s poems and to clarify the way of thinking and type of action of this contemporary innovative poet. The research method in this study is descriptive-analytical in nature and fundamental-theoretical based on the purpose. The findings indicated that the poet’s habitus, which was based on the type of personal and social education in the family and society, was a fixed and stable habitus and with a special taste (habitus) in the face of the ruling power (field), to the extent that he had the available capital, he chose his lifestyle according to the position (pole of independence) in which he was located, due to the dialectical contradiction (between habitus and field), he chose a difficult and highly negative position. The poet performed different actions, the result of which was composing socio-political poems and, above all, innovating the sub-field of Persian poetry production.
Saeed Amiriniâ, Javâd Dehqâniân,
Volume 33, Issue 98 (5-2025)
Abstract
The trajectory of the Shahnameh studies from its inception in 1915 until the end of 2006 has been critically evaluated in several articles. These studies have examined factors such as the quantitative growth of articles, the reasons behind the fluctuations in the Shahnameh scholarship, and the thematic, content-related, and structural weaknesses of the articles. However, these earlier analyses have paid less attention to the degree of innovation in research methods, hypotheses, and novel findings, which are among the most crucial components of a scholarly article. This study addresses two fundamental indicators of scholarly research articles on the Shahnameh and Ferdowsi published between 2007 and 2011, examining innovation in two of their main sections: the research problem and the research method. For this purpose, 210 scholarly research articles published in the last five years of the 1380s (in the Iranian calendar) were categorized into nine thematic groups based on academic criteria. Subsequently, the level of innovation and trend-setting impact of these articles was assessed based on specific indicators. Quantitatively, the thematic categories of "Textual Studies of the Shahnameh," "Comparative Analyses of the Shahnameh with Other Works," and "Analyses of Characters in the Shahnameh" have higher frequencies than other topics. The results indicate that, compared to previous periods, qualitatively, thematic and methodological shortcomings have diminished in the articles of this era, and fresh perspectives and new approaches have emerged in the Shahnameh studies. In the thematic category of "Textual Studies of the Shahnameh," due to various factors such as the publication of a critically edited version of the Shahnameh, a greater focus on literary theories, and comparative and intertextual studies, some articles have been published that have, at times, been trend-setting.
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