[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
Publication statistics::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
Publication Information
ju Publisher
Kharazmi University
ju Managing Director 
Nasergholi Sarli
ju Editor-in-Chief
Habib-Allah Abbasi
ju Manager
Zahra Saberi
ju In charge of the Site
Tahereh sadate Mirahmadi

EISSN 24766941
..
Indexing Databases

  AWT IMAGE   AWT IMAGE 
 AWT IMAGE   AWT IMAGE 
  AWT IMAGE 

   

..
Social Networks
   
..
:: Volume 33, Issue 98 (5-2025) ::
Persian Language and Literature 2025, 33(98): 301-327 Back to browse issues page
The Function of the Imagination of the Element of Fire in Forouq Farrokhzâd’s Works
Shakilâ Najjâri1 , Ali-Rezâ Nikouei *2 , Masoumeh Qayouri1
1- University of Guilan, Guilan, Iran
2- University of Guilan Guilan, Iran , nikouei@Guilan.ac.ir
Abstract:   (705 Views)
Gaston Bachelard (1884–1962), the renowned French theorist, explored imagination in literary texts through a psychological interpretation of archetypal elements—fire, water, air, and earth. In Bachelard’s view, the task of the power of thought is to produce concepts, and imagery is the product of the power of imagination. He argues that human beings imagine before they perceive or experience. From this perspective, literature and art originate from pure imagination. Bachelard maintains that conventional or rhetorical imagery has little significance; rather, what matters are those creative images that arise from the four primordial elements. In his view, imagination draws inspiration from the unconscious, determining which element predominates in a writer’s creative vision. Although an author may allude to all four elements within a single work, only one ultimately dominates the author’s imaginative field. The roots of these differences in poetry lie in the poet’s unconscious mind—encompassing inner desires, childhood memories, and the environment in which the poet’s reveries were formed. Hence, the fact that the material imagination of each writer is different from that of another is rooted in their biological, experiential, sensory, and intellectual differences. In this study, after examining Bachelard’s views on the imagination of fire—particularly as discussed in The Psychoanalysis of Fire and The Flame of a Candle—we analyze all of Forough Farrokhzad’s works that address these elements. The findings indicate that among the four elements, fire is the most dominant in Farrokhzad’s early poetry, symbolizing her passionate love, emotional intensity, and the sensual dimension of her amorous experience.

 
Keywords: Bachelard, Material Imagination, The Psychoanalysis of Fire, The Flame of a Candle, Forouq Farrokhzâd
Full-Text [PDF 643 kb]   (2 Downloads)    
Type of Study: Research | Subject: نظریه های ادبی
Send email to the article author

Add your comments about this article
Your username or Email:

CAPTCHA


XML   Persian Abstract   Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Najjâri S, Nikouei A, Qayouri M. The Function of the Imagination of the Element of Fire in Forouq Farrokhzâd’s Works. Persian Language and Literature 2025; 33 (98) :301-327
URL: http://jpll.khu.ac.ir/article-1-4469-en.html


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 33, Issue 98 (5-2025) Back to browse issues page
دوفصلنامه  زبان و ادبیات فارسی دانشگاه خوارزمی Half-Yearly Persian Language and Literature
Persian site map - English site map - Created in 0.09 seconds with 42 queries by YEKTAWEB 4722